It took over 100 hours of studio time to complete this piece. The layout was very difficult. Notice that the pattern is not “broken” on any of the sides- a tricky math problem which I think most of my college math professors would be happy to see I was able to solve! Then, except for the marbling, every line is straight, and every line is freehand painted- no taping AT ALL. The black and the gold colors all had two coats- so that’s two sets of straight lines!

So, with that one behind me, it’s onward and upward to new summer projects- finishing up some Checks with Artichokes, starting on a large dining room floorcloth for a house in New Hampshire, and starting on a commission from Boston’s Museum of Fine Arts for its permanent collection (more about that later…).

But first, I am painting a mural on canvas for a wonderful house in Vermont:

If you want to hear a little about how I am doing this, there’s a video. Click on the photo below to go there.

Next week I am off to Bridgton, Maine to teach a floorcloth class at the Rufus Porter Museum. Should be a lot of fun! I’m looking forward to meeting a new group of students and getting back into the museum for some mural-inspirations!

Many of you have been asking about classes. The summer has booked itself up completely for me and the earliest I can schedule anything will be in the Fall. The Weathersfield Inn could handle a group on October 20/21 or October 27/28. If anyone is interested, please let me know and tell me what kind of class you would  most like to attend. In the meantime, don’t forget the Rufus Porter landscape floorcloth class on July 8th and 9th in Bridgton, Maine at the Rufus Porter Museum.

This is the floorcloth students will paint in the one -and -a -half -day class. The added bonus is that the original mural is right downtown, about two blocks from the school and we will go there during lunch break and see what the “real” thing looks like. It’s amazing, and very inspiring! If you’d like to take this class, sign up right away. There are only a couple of spaces left. Click here for more information.

Now we move on to the last set of polygons. These will be black so a huge difference will pop out for my next posting. Stay tuned!

I also just installed another “around the corner” floorcloth this weekend. This one is eleven feet long and wraps around the stairwell. I had measured for this piece myself, but still I get nervous when it comes time to see if it’s going to fit. The added complication with a design such as this is to make the pattern fit so that no elements are awkwardly cut off. It’s all about scale and geometry!

Other details about this design can be seen by clicking here.

Next, using a similarly mixed marble paint in Richmond Gold and a small round brush, I squiggled vein-like marks over the diamond. Dropping wet paint into wet paint causes the marble effect to happen. The paint bleeds out into the other areas. It doesn’t matter if it goes over the lines, all the other areas will be painted again anyway. I try to keep this loose, but also keep the same diagonal direction of marble veins from one end of the floorcloth to the other.

Here’s another shot, showing the diamond (and others around it) finished. Now I let the whole thing dry overnight, and then we can start painting one side of the tumbling blocks.

I use a laser light to produce a line square to the edge of the floorcloth which ensures that the blocks stay true to the pattern. I move the laser light with each successive row (14 rows in all on this design). A card stock template helps to prevent measuring errors. Every angle on this design is either 90 or 45 degrees, so those are easily checked with a plastic square.

Even with all of these tools and careful measuring, mistakes are still made. Unfortunately, it’s hard to detect them until you’ve gone far enough to disturb the pattern. That means erasing an entire row (half an hour of work) before correcting the error and moving forward again.

I don’t know if you can see the lines drawn in this photo. Click on the photo to see a closeup. I do the lines quite lightly so that they are easily erased, if need be, and so they won’t be visible on the final floorcloth. The next step will be marblizing the diamonds. Stay tuned.

There have been several requests for a class covering how to layout this design. It really is a difficult process, and what I’ll do is offer it as an “Advanced” online class. In order to take it, participants will be required to take an Intro “Laying out a Geometric Floorcloth” online class. Look for details about the Intro class later this week.

When the hem was done it looked like this:

After the black paint was completely dry, we carefully flipped the whole floorcloth over. Using a 4″ wide brush, Theresa painted the entire pre-primed front side in Monterey White. We do that by rolling the whole floorcloth up and unrolling 2 feet at a time to paint. This means we don’t have to get up on the table. We just paint what is immediately in front of us and unroll as we are ready for a new section. We work quickly, so that one section doesn’t dry before we paint the next section. Overlaps are very visible if drying happens between layers. We always paint the entire surface in one session, so that the finished surface is uniformly coated.

Here it is all painted. It’s a little bumpy in this photo because it’s still a little damp. It flattened completely as it dried.

This weekend I will crunch some numbers and put my geometry skills to work as I prepare to layout the Tumbling Blocks design. Check back here next week for another progress report.

Big news! We are offering a special Memorial Day Floorcloth Kit for the do-it-yourselfers. Click here for details about that. It’s a beautiful flag-inspired design that is easy enough for beginners and the whole kit is only $30!

Please comment below if there is any specific floorcloth information you’d like to have included in upcoming posts. I’m always looking for new topics and it helps me to know what you like to read about!

There are already several floorcloths in use in the museum, so it is a great place to visit if floorcloths are of interest to you!

The design the curator has chosen is based on the floorcloth shown in a painting from the Abby Aldrich Rockefeller Museum in Williamsburg. It is a tumbling blocks pattern, from John Carwitham’s collection of designs for floors published in 1739. I have painted several floorcloths using this pattern. It’s very tricky to layout, but the final effect is very stunning.

To make it even more complicated, the room is ‘L’ shaped and the overall dimension makes it larger than one piece of canvas, so I’ve had to splice the canvas together. Last week we shrank enough canvas for the two pieces which were to be spliced together. When they were dry, primer was applied and they were cut to two pieces and carefully spliced.

Here are the two shrunk and primed pieces waiting to be spliced. After splicing , I carefully measured the entire floorcloth, allowing for the hem. The next step was to cut all the way around (after measuring one more time, just to be sure). The corners were sewn and turned and the entire hem was pressed flat, then sewn. It was very tricky getting the ‘L’ shape through the sewing machine. We roll all but the side we’re sewing and guide it through the machine. The ‘L’ creates a whole new dimension of sewing problems.

Here it is, all sewn and ready for paint! This is the backside.

I’m planning to try to post photos of my progress on this project. The easiest way for me to do that is on my Facebook page. So if you’re interested, please “like” the Canvasworks page and you’ll get notices whenever I post something about this floorcloth. Go ahead and ask questions too. I’m happy to show you how I create a piece like this.

This is where we will meet to discuss any problems or questions you have regarding your Pawprints Floorcloth project. Meet here on Monday and Tuesday nights, April 12 and 13 from 6:30 p.m. to 8:30 p.m.

Use the “comments” section to post your questions and I will respond Monday and Tuesday night.

This section is only available to those who signed up for the class. It will remain on the website for one month (as will the videos) following the class so that you can continue to ask questions and discuss your project with the others in the class.

If you’d like to introduce yourself to others in the class, please comment with your name and where you’re from. It’s always interesting for others to get to know their classmates!

Have fun. I’ll be talking to you on Monday night!

-Lisa

Please take note that the pricing for this class has changed- in your favor!!!

Now the base-coated floorcloth is included in the class price.

The next Canvasworks online workshop has been scheduled for Monday and Tuesday evenings, 6:30 pm to 8:30 pm EDT, April 12 and 13, 2010.

Here’s how it works:

When you register for the class ($60) you will receive a blank florcloth which is base-coated in Waterbury Cream ($50 value) a stencil sheet with diamond, leaf and pawprint motifs and a materials list for the other supplies you’ll need. On the day of the class you will receive, by email, directions for how to paint the piece and you will be directed to YouTube videos which demonstrate the techniques used – Painting the border, laying out stencil placements, how to cut the stencil and then how to stencil the design. During the two hours each evening on the 12th and the 13th, you can ask questions via the blog and Lisa will answer them as they are received. Everyone gets to see everyone else’s questions and answers, so all participants learn from each other. If you prefer to use an alternate motif, such as a flower, instead of the pawprint, you can certainly do that, but you’re on your own to make or purchase the stencil for that. Colors as shown for the design will be indicated in your materials list. if you would like to use alternative colors, that’s totally up to you too.

Register now ($60) shipping is an additional $15

I went to my local Sherwin Williams dealer and he gave me several different products to try. After several months of trials I settled on a marine-grade exterior paint and a marine grade polyurethane. This stuff is fantastic. Not only is it low VOC, I  can get it mixed in any color I want AND it stays flexible, even when the floorcloth is cold.

This picture shows the hairline cracks which can occur when canvas which is painted with inferior paints and poly  is flexed.

This photo shows the flexible nature of Canvasworks’ high-quality paints and poly finish which we use on EVERY piece.

Now we use these two products for everything we paint. Even the floorcloth blanks we sell are primed with the same marine-grade paint. We also sell the polyurethane in quart-size cans, which are not available through Sherwin Williams retailers.

So what’s the big deal about cracking?

The cracks themselves do not necessarily harm the floorcloth. They may even provide an “antique” look, if that’s what you are seeking. BUT, if the cracks go down through the paint to the canvas surface (like the photo on the left above) the paint may chip and peel off within a few months of use.

If you are shopping for a floorcloth, don’t be misled by lower prices. Cheap paint is almost always guaranteed to crack and chip. If you are shopping where you can feel the floorcloth, try flexing the canvas and see if little cracks appear. If you are shopping online, send the craftsman an email, asking what type of paint they are using and what kind of poly is used. Ask if their floorcloths crack. Ask to have them send a sample swatch of painted and finished canvas so you can try flexing it yourself. (Canvasworks is happy to send you swatches just email us and include “painted swatches” in the subject line.)

What to do if you have a floorcloth which is cracking?

Flexing the canvas is what causes the cracking. If you have a floorcloth which has started to crack make sure it is secured to the floor. Use double-sided carpet tape and apply it all the way around the hem. This will prevent the floorcloth from moving and if it never moves, it shouldn’t crack. Do not pick up your floorcloth to clean it. Leave it stuck to the floor and clean it in its place.

Learn more about the paints we’ve tested and have had success with by taking an Online Canvasworks class. The next one is coming up April 12th and 13th. Click here to register.